T3D IS AN ARTISTIC PARTNERSHIP WHO COLLABORATE WITH ARTISTS, ARCHITECTS, FABRICATORS, BUILDING USERS AND GOVERNMENT BODIES, TO CREATE SITE SPECIFIC ARTWORKS
Amanda Kay - Artist - Director
Amanda works as a multidisciplinary artist, using modern and traditional techniques. She explores abstract representation and conceptual thinking to convey simple yet deep connections with herself and the world around her. Amanda asks the viewer to contemplate through feeling with the use of colour construction and composition. Currently she is using cursive srcipt to create ethereal and complex works, the layers of time are made visible through paint. Through a daily practice and a moving meditation on the nothing she captures the essence of this unseen energy. She is working on a new body of work for exhibition 2026-2027.
Amanda primarily works as a public artist alongside Jerome Dobinson creating site specific artwork to enhance the build environment through human centred design. Their work connects people to place supporting navigation and general wellbeing. They apply colour and design principles endeavouring to establish a synergy with our physical surrounds. Responding to the needs of the stakeholders, the local environment and new technologies Amanda is inspired to create a more colourful environment for people to work live and play.
Jerome Dobinson - Artist - Director
Jerome specialises in public art installation, contemporary art, and graphic design. His style and subject matter are heavily influenced by computer technologies and processes not normally associated with the act of making art and serve as a vehicle to explore the role of painting and fine art in contemporary culture. Jerome has strong illustrative skills which are heralded in the commission for Windermere Primary School in which he built an alphabet city as a pencil sketch for the early learning centre. The work is designed to the Reggio Emilia philosophy and meet the needs of the building users.
Jerome’s deepest passions lie in painting, drawing and design. A recent example of this can be seen in a body of work commissioned for Jennings Australia creating small and large works responding to the times and our virtual and digital reality. This can also be seen in the work titled ‘Medusa’, selected as a finalist in the 2017 Kilgour Art Prize and makes up part of a series of ongoing bitmap paintings. Using pixelation to depict a life-size female nude, the work raises issues related to gender whilst challenging the role of traditional figurative painting in today’s society.